El Negro and head two braids likely depict quetzal feathers and spider monkeys, not Africans

New Olmec Theories ?
Source: New Olmec Theories ? by Archaeologist Ed Barnhart

Two controversial Olmec sculptures have sparked debate over whether they show humans with African features. New analysis suggests El Negro actually depicts a spider monkey spirit being, and head two's 'braids' are quetzal feathers from a helmet rather than hair. Scholars note Olmec art frequently transformed humans into animals and back.

Key facts

  • Only one Olmec head (head two from Tres Zapotes) has potential braids
  • El Negro and head two date to Epi-Olmec levels after 500 BCE, roughly 1,000 years after Olmec civilization began
  • The 'braids' on head two come off the top of the helmet, resembling quetzal feathers more than hair
  • El Negro (Sterling Monument F) is a tenon stone designed to protrude from a building facade
  • La Venta Monument 56, nicknamed 'the monkey,' has a similar afro-looking hair carved into its head
  • Spider monkeys in Maya and Aztec art display diagnostic white facial coloring with black hair on top and a widow's peak
  • Scholars suggest El Negro depicts a spider monkey rather than a human of African descent
  • Olmec art frequently transforms humans into animals and back

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